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SHURE KSM27 Side-address Condenser Microphone [KSM27]  $575.00  $199.00 

Large single-diaphragm, side-address condenser microphone. Designed for studio use but rugged enough for live applications, the KSM27 has extremely low self-noise, and an extended frequency response specially tailored for vocal tracking and instrument recording.

KSM27/SL with shock mount, champagne finish, Phantom power required

  • Cardioid polar pattern
  • 1 inch, externally biased, ultra-thin, 24 Karat gold-layered, low mass, Mylar® diaphragm provides superior transient response
  • Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response and no crossover distortion, while minimizing harmonic and intermodulation distortions
  • Premium electronic components and gold-plated internal and external connectors
  • Subsonic filter eliminates rumble from mechanical vibration below 17 Hz
  • Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
  • 3-position switchable low-frequency filter helps reduce unwanted background noise or counteract proximity effect
  • Integrated three-stage 'pop" protection grille reduces plosives and other breath noise
  • Internal shock mount reduces handling and stand noise

 Performance Characteristics

  • Extended frequency response
  • Low self noise
  • Exceptional low-frequency reproduction
  • High output level
  • High input SPL capability
  • No crossover distortion
  • Extremely uniform cardioid polar response
  • Superior common mode rejection, suppression of radio frequency interference

Applications

Microphone use is a matter of personal taste, and the KSM27 may be used for a variety of applications other than those listed:

  • Voice -- solo, background, voice-over, broadcasting
  • Acoustic instruments -- such as piano, guitar, drums, percussion, strings
  • Electric instruments such as guitar and bass
  • Wind instruments -- brass and woodwind
  • Low frequency instruments -- such as double bass, electric bass, kick drum
  • Overhead miking -- drums or percussion
  • Ensembles -- choral or orchestral
  • Room ambiance pick-up -- guitar amplifier or drums

 

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